A calendar of noteworthy occurrences in New Jersey birding history, such as first state records. Also ruminations on documentation, sources, and historical matters, plus the occasional off-topic post or moth photo.
Showing posts with label "bird art". Show all posts
Showing posts with label "bird art". Show all posts
Sunday, April 06, 2008
Artistic Forensics: The Case of the Carbonated Swamp-Warbler
Among the many birds painted by John James Audubon, a few have never been conclusively matched with species known today. These mystery birds have caused speculation among ornithologists and birders for decades, and now David Sibley has entered the fray. Although the Carbonated Swamp-Warbler is not known to have been a NJ bird (and this post is therefore an extralimital one), this post on the Sibley Guides Notebook blog is worth the time of anyone interested in birding history or bird art (the comments on the post are interesting reading, as well). Matters such as plumage details, artistic style, printing technology and observer reputation are brought up by Sibley and the commenters.
Labels:
"bird art",
audubon,
documentation,
extralimital
Sunday, February 11, 2007
OT: Bird Drawing

Anyone who has been a birder for a while inevitably develops certain specialties; favorite groups of birds, favorite methods of recording sightings, favorite offshoots of birding... As you can guess from this blog, one of my interests is the history of birds and bird study. Another one is bird art. That's probably unavoidable for someone who has been drawing and doodling since she could hold a writing implement, and who also majored in Art History in college. Bird art ranges from quick sketches made in the field to document sightings to finished artwork in many media by a host of skilled artists.
Even in this day of digiscoping, drawing is an excellent way of observing, documenting and learning birds. Unfortunately, relatively few birders do it. There are various reasons for this, but one is that many of us are taught that art is the province of the talented few. In fact, getting started in field sketching takes one thing: getting started. Talent helps, but just making time and space to practice drawing will take you a long way.
I found this post at Drawing the Motmot via The Birdchaser. It's an approachable recipe for getting started in drawing. This other post at Getting Things Done in Academia expands on the original post, and talks about why drawing is a useful skill for scientists to have. I recommend both posts to anyone who wants to try field sketching.
Labels:
"bird art",
"field sketching",
art,
documentation
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